Don’t Leave Me This Way: Finding The Remnants Of NYC’s Lesbian Bars In Gwen Shockey’s “Addresses”
Art / Party Out Of Bounds

Don’t Leave Me This Way: Finding The Remnants Of NYC’s Lesbian Bars In Gwen Shockey’s “Addresses”

Living in New York, you get used to loss–not necessarily just the loss of beloved people, but of establishments. These bars, clubs, dives and cafes, particularly queer and queer-friendly spaces, are not just favored locations to grab a bite or a beer, but they’re where communities and even, worlds are built and thrive (even if temporarily). Continue reading

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Singled Out: Living As Stereotypes In Mike Kelley’s “Singles’ Mixer”
Art

Singled Out: Living As Stereotypes In Mike Kelley’s “Singles’ Mixer”

A girl in KISS makeup, a hillbilly, a computer nerd, a couple of witches and four Black women walk into a singles’ mixer. Although it reads like the start of a hack joke, Mike Kelley’s sculptural and multichannel video installation Extracurricular Activity Projective Reconstruction #8 (Singles’ Mixer), currently on view at Luhring Augustine’s Bushwick gallery … Continue reading

We Know You’re Sugar, We Know You’re Sweet Like A Sucker: Devan Shimoyama’s “Sweet”
Art

We Know You’re Sugar, We Know You’re Sweet Like A Sucker: Devan Shimoyama’s “Sweet”

In his chapter “Fading, Twisting and Weaving: An Interpretive Ethnography of the Black Barbershop/Salon as Cultural Space” from Performing Black Masculinity: Race, Culture and Queer Identity, Bryant Keith Alexander explores the role of the Black-run barbershop as a space for community-building and performing Black masculinities away from hegemonic white culture. “I remember,” he begins, “the … Continue reading

Dance This Mess Around: MoMA’s “Club 57: Film, Performance, and Art In the East Village, 1978-1983”
Art / Party Out Of Bounds

Dance This Mess Around: MoMA’s “Club 57: Film, Performance, and Art In the East Village, 1978-1983”

I’m not used to suffering from invasive flashbacks inside a major museum. But, pulling back the heavy curtain, leading into Kenny Scharf’s Cosmic Closet, a cozy yet mind-altering intergalactic Day-Glo-painted trash utopia, I was immediately sent through a time warp to June 2011, boogying to The B-52s “Planet Claire” and Martha and the Vandellas “Jimmy … Continue reading

Caught In Eternal Digital Glitches: A Conversation With Jess Johnson
Art

Caught In Eternal Digital Glitches: A Conversation With Jess Johnson

New Zealand-born, NYC-based artist Jess Johnson’s recent exhibition Everything Not Saved Will Be Lost at Jack Hanley Gallery was a maximalist installation in which analog met digital, whereby her drawings were translated into virtual reality. Filthy Dreams’s Jessica Caroline chats to Johnson about her hyper-psychedelic theme park of cyber bodies in both unison and discord: … Continue reading

Strange What Love Does: Lisa Brice’s “Boundary Girl”
Art

Strange What Love Does: Lisa Brice’s “Boundary Girl”

Blue and red make the hottest of color combinations. Oppositional yet no less alluring, the passion of these contrasting colors is perhaps best exemplified by the opening scene of Jean-Luc Godard’s chaotic domestic classic Le Mépris. Laying in bed with her husband Paul, Brigitte Bardot’s Camille questions him on how much he loves her body, while bathed in a red glow. Continue reading